About
Welcome to my portfolio page! As a theatre performing arts practitioner, I have gained extensive experience in both acting and directing. Here, you'll find a showcase of my representative works and past experiences, offering a deeper insight into my artistic journey. I look forward to sharing my passion for creation with you!
歡迎來到我的作品集頁面！作為一名劇場表演藝術工作者，我在演員和導演的角色中積累了豐富的經驗。這裡展示了我的過往經歷代表作品，讓您更深入地了解藝術旅程。期待與您分享我的創作熱情。
Profile
Current Positions:
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Theatre Actor and Director
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Member of Theatre Actors Lab
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Theatre (Performance) Studies
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Recipient of the Ministry of Education Public Scholarship for Overseas Study (Drama) – Scheduled to pursue a PhD program in the UK in 2025
現職：
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劇場演員、導演
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TAL演劇實驗室 團員
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劇場（表演）理論研究
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教育部公費留學獎學金（戲劇類）錄取者（預計2025年赴英國進修博士）
Education:
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Central Saint Martins, University of Arts London Performance: Design and Practice (MA) 倫敦藝術大學中央聖馬丁學院表演設計與實踐研究所碩士（2021-2023）
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National Taiwan University Department of Drama and Theatre (BA) 國立台灣大學戲劇學系學士（2015-2020）
Height: 186 cm
Eye Color: Black
Hair Color: Blonde/Black
Location: London, United Kingdom/Taipei, Taiwan
Timeline
Works
Training
Suzuki Method of Actor Training 鈴木忠志演員訓練法 | Ellen Lauren & Mattia Sebastian | Toga, Japan | 2024-2025(80 hours)
The Method of Theodoros Terzopoulos 狄奧多羅特爾佐布勒斯方法 | Savvas Stroumpos | Athens | 2022-2023(200 hours)
Psychophysical Training Ⅰ,Ⅱ 身心合一表演 | Department of Drama and Theatre, National Taiwan University | Taipei | Lin Chien-Lang 林子恆 | 2019-2020
Acting Ⅰ, Ⅱ, Ⅲ 進階表演、即興表演、角色創造 | Gwen Yao 姚坤君 | Taipei | 2015-2020
Directing Ⅰ,Ⅱ 導演 | Po Shen Lu 呂柏伸 | Taipei | 2017-2018
Actor
Wall of Babel | Camden People's Theatre | London | 2024
The Body C
Wall of Babel | Buffer Fringe | Nicosia | 2023
The Body C
Wall of Babel | The Place, London Contemporary Dance School | London | 2023
The Body C
Aloe Vera | Central Saint Martins, University of the Arts London | London | 2023
Father
When you are looking at me | Central Saint Martins, University of the Arts London | London | 2023
Reinventing Joe | Central Saint Martins, University of the Arts London | London | 2023
Dr. Muller
Macbeth | Central Saint Martins, University of the Arts London | London | 2023
Macbeth
Teorema | Central Saint Martins, University of the Arts London | London | 2022
Guest
The Bank Robbery | Central Saint Martins, University of the Arts London | London | 2022
Multiple Characters
The Plague | Central Saint Martins, University of the Arts London | London | 2022
Drunk Man
Waiting for Godot 等待果陀 | Department of Drama and Theatre, National Taiwan University | Taipei | 2020
Pozzo
Romeo and Juliet 羅密歐與茱麗葉 | Stuttgart Ballet | Kaohsiung | 2019
Solider
The Last Day of a Death Row 死刑犯的最後一天 | Department of Drama and Theatre, National Taiwan University | Taipei | 2019
Death Row
Landestheater LinzDie Brautschminkerin 新娘妝
TANZLIN.Z | Kaohsiung | 2019
Victim
Szewcy 鞋匠 | Department of Drama and Theatre, National Taiwan University | Taipei | 2018
First apprentice
Six Characters in Search of an Author 六個尋找劇作家的角色 | Department of Drama and Theatre, National Taiwan University | Taipei | 2018
Father
Attention Please 小心止步 | Department of Drama and Theatre, National Taiwan University | Taipei | 2017
Station master
Terror 恐怖行動 | Department of Drama and Theatre, National Taiwan University | Taipei | 2017
Judge
Silent Fugue 全景賦格 | Department of Drama and Theatre, National Taiwan University | Taipei | 2017
Brother, Nurse
Dinner with Friends | Department of Drama and Theatre, National Taiwan University | Taipei | 2016
Gabe
Performer
NE(S)T | Central Saint Martins, University of the Arts London | London | 2023
Performer
Bach in the cloud | Central Saint Martins, University of the Arts London | London | 2023
Performer
Porto Seguro | Central Saint Martins, University of the Arts London | London | 2023
Performer
History is the way we organise our ignorance of the past | Central Saint Martins, University of the Arts London | London | 2023
Performer
Injection | Central Saint Martins, University of the Arts London | London | 2022
Performer
Waiting for Godot 等待果陀 | Co-coism | Taipei | 2020
Performer
Waiting for Godot 等待果陀 | Co-coism | Taipei | 2017
Performer
Director
Macbeth | Central Saint Martins, University of the Arts London | London | 2023
Lady Macbeth's Chamber 馬克白夫人的寢室| Department of Drama and Theatre, National Taiwan University | Taipei | 2021
To-do List 待辦事項 | Department of Drama and Theatre, National Taiwan University | Taipei | 2020
Gruesome Playground Injuries 傷心遊樂園 | Department of Drama and Theatre, National Taiwan University | Taipei | 2018
Mr. Zookeeper 在我的世界裡 | Department of Drama and Theatre, National Taiwan University | Taipei | 2018
Director Assistant
Wonderful 如此美好 | M.O.V.E. Theatre | Taipei | 2020
Mulan 木蘭少女 | Tainaner Ensemble & Studio M | Taipei | 2018
Workshops
TAL: Suzuki Method of Actor Training(spring term) 演劇實驗室：鈴木忠志演員訓練法(春季訓練) | Chen Chi Ling | Taipei | 2025 (30hours)
TAL: Suzuki Method of Actor Training(winter term) 演劇實驗室：鈴木忠志演員訓練法(冬季訓練) | Chen Chi Ling | Taipei | 2025 (30hours)
Butoh Workshop | Marie-gabrielle rotie | London | 2022
Monologue Workshop | Barry Hall | Taipei | 2020
Publication
Research Project
Representation and Embodiment: Construction of Theatre and Urban Landscape | Ministry of Science and Technology | 2020 | Po-Yi Hong
Column(Medium)
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Theatrical Thoughts 劇場思想
劇場思想第十二談：
為什麼我們要研究觀眾？| Medium | 2025
劇場思想第十一談：
未來演員訓練的走向：情動力場域及變動粒子| Medium | 2025
劇場思想第十談：
鈴木忠志方法可否作為解構後殖民劇場裡的情動力？| Medium | 2025
劇場思想第九談：
表演為何成立？| Medium | 2025
劇場 思想第八談：
關於訓練這檔事| Medium | 2025
劇場思想第七談：
當我身為男演員卻開始厭男時：演員、訓練、性別身體| Medium | 2025
劇場思想第六談：
現代劇場演員的課題：邊陲對抗、觀演關係和情動力覺察| Medium | 2025
劇場思想第五談：
演員的消毒身體| Medium | 2024
劇場思想第四談：
黏著性 | Medium | 2024
劇場思想第三談：
神聖世俗化 Sacrular | Medium | 2024
劇場思想第二談：
劇場第五面牆：永恆變動的觀演關係 | Medium | 2024
劇場思想第一談：
英國演員的Look Up：英國劇場的空間性對表演方法的影響 | Medium | 2024
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"Curtain!" Actor Notes 表導演筆記
舞踏Butoh：表演者的解構與重組 | Medium | 2022
A Director Supposed to be... | Medium | 2021
Act In Your Own Way | Medium | 2021
An Actor Matters | Medium | 2021
舞台深處：從劇場談權力結構 | Medium | 2018